Peggy Kolodny, MA ATR-BC LCPAT, is a Board -Certified, Licensed Art Psychotherapist with level 2 certificates in EMDR and IFS. Founder of the private practice Art Therapy Collective of Owings Mills, she has specialized in trauma treatment across the life span since 1982.

She was recent adjunct faculty with George Washington University and Florida State University’s Art Therapy Graduate Programs as well as multiple professional training faculties, presenting workshops internationally. She is on the Board of the Maryland Art Therapy Association and is their current delegate to the American Art Therapy Association. Peggy is the current chair of the Creative Arts Therapies Special Interest Group, part of the International Society on the Study of Trauma and Dissociation (ISSTD).

Past faculties include University of Maryland School of Social Work, Goucher College, and Maryland Institute, College of Art. Past positions include director of a nonprofit, The Family Connection; past chair of the Central Maryland Sexual Abuse Treatment Task Force, and past president of the Maryland Art Therapy Association.

Recent publications include a chapter entitled “The Interweave of IFS, EMDR, and Art Therapy”, co-authored with Salicia Mazero in EMDR and Creative Arts Therapies (EDS, Davis, Fitzgerald, Jacobs and Marchand, 2022) as well as 2 chapters on trauma, neuroscience, substance use, and art therapy in Art Therapy in the Treatment of Addictions and Trauma (Quinn, 2021). Peggy is currently working on a chapter on dissociation for an art therapy textbook and co-authoring a book on art therapy and dissociation.

In her spare time, Peggy enjoys drawing, painting, gardening, and her family.

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November 14, 2024
8:45 AM - 4:15 PM (ET)
Location:
In-Person at The Hilton Garden Inn • Owings Mills, MD

In this highly informative and engaging workshop, learn about dissociation and trauma treatment.

Karen Ross Taylor
LCSW-C

Trauma Informed Collage Methods was a very valuable workshop as I have always had a personal affinity for collage activities and love to find ways to incorporate it into my practice. It's also a kinder and less threatening modality for those of us who minimize or deny having artistic abilities. The facilitator Peggy and her assistant Hanna were organized and accommodating. Having minimally structured experiential components to the workshop was a smart choice. I highly recommend :)

Karen Ross Taylor
LCSW-C

Trauma Informed Collage Methods was a very valuable workshop as I have always had a personal affinity for collage activities and love to find ways to incorporate it into my practice. It's also a kinder and less threatening modality for those of us who minimize or deny having artistic abilities. The facilitator Peggy and her assistant Hanna were organized and accommodating. Having minimally structured experiential components to the workshop was a smart choice. I highly recommend :)

Lauren Rubenstein
PSYD

It's rare that a workshop grabs my attention and holds it from start to finish. [Trauma Informed Collage Methods was] Informative and engaging!

Ronda (Rosie) Behr
LCSW-C

I learned a lot [in Trauma Informed Collage Methods] and had fun doing it.

Liza Baker
MAAT

[Trauma Informed Collage Methods] greatly refreshed my knowledge as an art therapist, but perhaps more importantly, I recognized the value of collage in working with difficult to reach populations. While the collage experiencials we completed were fun and relaxing, in a new way I could more confidently apply the powerful intuitive processes of collage with people who have lost everything.

Anne Eckman
LGSW

[Trauma Informed Collage Methods featured a] wonderful combination of theory, practical art prompts, and a chance to experience methods and materials. Allowed for new learning, and refinement, across a spectrum of trauma therapy and artmaking experience in the room. Thank you!

Kathy Haerian

[Peggy] is highly experienced and provided trauma informed care regarding incorporating collage into your practice. [Trauma Informed Collage Methods] also focused on the importance of art belonging to the client, and reminded about the importance of this being one of the true principles of the experiential work.